Straight Out of KAIJUMAX: An Interview with Zander Cannon
Last year, Oni Press and Zander Cannon teamed up to deliver one of the most critically acclaimed comics in recent years, KAI…
Episode 78: Alan Moore’s V FOR VENDETTA
Comicsverse veterans review Alan Moore's volume V FOR VENDETTA and the value and veracity of its verbosity. Voila! …
ADVENTURES OF SUPERGIRL #1 Review – Pilot Recap
SUPERGIRL's freshman season has ended, but you can still follow the Girl of Steel in THE ADVENTURES OF SUPERGIRL #1! …
SUPERGIRL S1E17 Character Spotlight: Martian Manhunter
After Supergirl forced J'onn to blow his cover as Hank Henshaw, him and the entire DEO are under investigation. More informa…
Essential Batman Comics: A First-Time Reader’s Guide Part 1
Batman has a huge amount of history stretching across over 75 years of comic books. Thankfully, we at ComicsVerse have put …
DC Universe Animated Original Movies: The Other Shared Universe
Let's take a crash course in the DC Animated Film Universe! …
John Constantine: From Hell and Back Again on the Screen
Constantine is one of the most mysterious and popular non-superhero characters in modern comics. How did he get to become so…
CROSSED + 100 #12 Review: Behold A Crossed Future
All your fears will be realized in the scarring conclusion of Alan Moore and Simon Spurrier's second future CROSSED story ar…
Embrace the Blood: Avatar Press at NYCC
ComicsVerse brings you some of the highlights of Avatar Press's panel at NYCC 2015! Find out what the media giant will be d…
Episode 50: The Origin of Alan Moore’s SWAMP-THING
As Kathy notes, "does anyone want Alan enough? No, we want Alan Moore." The ComicsVerse gang analyze Alan Moore's run on THE…
Rhythm and Fat-Bottomed Girls
So, the thing about comics–and this is arguably the thing about comics–is that it’s full of holes. The creators …
Where We Stand: A Look at Female Superheroes Through the Lens of Laura Mulvey’s “Visual Pleasure and Narrative Cinema”
Are female superheroes subject to the same patriarchal system of old Hollywood? Is there hidden misogyny between the panels …